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Philosophical Perspectives on Art presents a series of essays devoted to two of the most fundamental topics in the philosophy of art: the distinctive character of artworks and what is involved in understanding them as art. In Part I, Stephen Davies considers a wide range of questions about the nature and definition of art. Part II, he turns to the interpretation and appreciation of art. Anyone with an interest in aesthetics or art theory will find the papers in this volume fascinating reading. - ;Philosophical Perspectives on Art presents a series of essays devoted to two of the most fundament
Aesthetics --- Art --- Philosophy --- Philosophie --- Philosophy. --- Beautiful, The --- Beauty --- Art and philosophy --- Analysis, interpretation, appreciation
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La “Rivista di estetica” intende costruire un ponte tra l’estetica e l’ontologia, ridiscutendo temi fondamentali dell'estetica della ontologia e della filosofia dell'arte contemporanea. È rivolta ad intellettuali di formazione e culture diverse e i temi di cui si occupa sono l’estetica, l’ontologia e la filosofia analitica. Una delle più antiche riviste filosofiche in Italia, fondata da Luigi Pareyson nel 1960 come rivista trimestrale rivolta sia a temi di estetica sia a temi filosofici più generali, è oggi diretta da Tiziana Andina, docente di Filosofia Teoretica all'Università di Torino.
Aesthetics --- Esthetica. --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics
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Ce volume représente un pari : il s’agit d’interroger la pluralité de l’esthétique sans la réduire à la variabilité des point de vue sur les œuvres de l’art. C’est donc l’idée esthétique elle-même dont on entend ici évoquer les visées contraires. Pour cela, on a choisi d’engager une démarche qui serait elle-même plurielle : aborder le principe de création ou l’expérience de beauté selon un angle conceptuel à chaque fois différent, qui permette de croiser, autour du rapport à l’œuvre d’art, le rejet ou l’invocation de la subjectivité, la référence au possible ou à l’imaginaire, la mesure de l’échec ou la loi de l’exaltation, le suspens ou le réancrage de l'historicité : bref, la loi de l’œuvre et la recherche d’une règle. À travers Kant ou Valéry, entre Benjamin et Kafka, de l’idée musicale à l’expérience poétique, le paradoxe de l’art décline ainsi ses variantes. Il se prolonge dans la démarche d’une jeune artiste faisant courir, de texte en texte, la trace minimaliste d’un mode sériel d’exploration.
Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics --- musique --- cinéma
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Aesthetics --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics
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Few philosophers agree about what it is for something to be art but most or all agree that art must be somehow intention-dependent. Mag Uidhir shows that this requirement has radical implications for the nature of art and of art forms, for the ontology of art, and for issues about authorship.
Art --- Authorship --- Art d'écrire --- Philosophy. --- Philosophie --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation
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The subject of the book is the organic link that connects the two thematic sides that define the field of Aesthetics: the theory of perception and reflection on the arts. The apparent redundancy contained in the title intends to underline how the interweaving between perception and the work of art is structural and organic, thus recalling the theoretical urgency of this problem for an effective understanding of the dynamics of the meaning of art as a "symbolic form" in which the relationship between mind and world is embodied in an exemplary way. The volume is divided into three parts. The first presents nuclei of reflection arising from contemporary perspectives "outside the chorus". The second deals with different frameworks of perception theory.
Perception (Philosophy). --- Art --- Philosophy. --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy --- Analysis, interpretation, appreciation --- Filosofia --- Estetica --- Arte --- Saggi
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Ce volume veut étudier la spécificité de la perception mise en jeu ou en scène dans les œuvres de l'art, sans l'aligner sur les modèles perceptifs connus, sans non plus l'assimiler à la perception esthétique telle qu'elle s'est définie dans le cadre de la phénoménologie. Loin de centrer l'analyse sur l'échange accompli du sujet et de l'œuvre, on s'est attaché à montrer comment l'épreuve sensorielle du regard ou de l'écoute engage une expérience perceptive paradoxale, où la vue se disperse et le sensible échappe à l'auditeur. Deux perspectives sont privilégiées : une réflexion critique sur l'approche phénoménologique de l'art développée par Merleau-Ponty ; l'essai variable - dans la peinture, la littérature, la musique et le cinéma - de cette pluralité des sens et des temps à travers lesquels l'aisthésis surgit en se rendant insaisissable.
Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics --- esthétique --- phénoménologie --- peinture --- musique --- regard --- arts --- aisthésis --- perception
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This spirited exploration of the interfaces between art and theory in the 21st century brings together a multidisciplinary range of viewpoints on their future. The authors examine contemporary visual culture based on speculative predictions and creative scientific arguments. Focusing on seven themes - Future Tech, Future Image, Future Museum, Future City, Future Freedom, Future History, and Future Future - the book shows how our sense of the future is shaped by a visual rhetoric of acceleration, progression, excess and destruction. The essays reflect collaborative work between the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel Arts Centre, W139–Space for Contemporary Art, and the art magazine Metropolis M. Discussing provocative themes like future history and future freedom, ‘Facing Forward’ is an energetic look at how our visions of the future affect how we depict the world around us.
Art --- Future in art. --- Art, Modern --- Philosophy. --- Contemporary art --- Modernism (Art) --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation --- 2000-2099 --- art theory --- futures --- art
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Aesthetics. --- Exceptionalism. --- National characteristics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics --- Exceptionalism --- Art criticism
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The present volume is a continuation of the series Contemporary Philosophy (International Institute of Philosophy). As with the earlier volumes in the series, the present chronicles purport to give a survey of significant trends in contemporary philosophy. This volume on Aesthetics, containing nineteen surveys, shows the variety of approaches to Aesthetics in various cultures. The close connection between aesthetics and religion and between aesthetics and ethics is emphasized in several contributions. The chronicles are as a rule written in English, French and German. In the present volume ten surveys are written in English, eight in French and one in German. The bibliographical references, with some exceptions, follow the pattern introduced in earlier volumes. The bibliographies themselves usually follow at the end of each chronicle arranged in alphabetical order. The bibliographies are selected and arranged by the authors themselves.
Aesthetics. --- Art --- Philosophy. --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Radio broadcasting Aesthetics
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